Akutagawa known as the “Father of Japanese short stories” stays true to his designation with this collection of metaphysically refined stories. The rendered stories: – The Grove, Yam Gruel, Rashomon, Martyr to name a few; highlights Akutagawa’s preference for macabre themes of immortality, depression, virtue, chaos and death. These stories encompass a constant battle of skepticism prevailing over virtue of morality v/s existence of evil.
In Rashomon, the act of the ghoulish old woman picking out long hairs from the skulls of the corpses to make wigs and sell them to buy scraps of food delineate a desperate act to fulfill the demonic perils of life. Similarly, ‘Martyr’ highlights the thriving soul of hypocrisy in religion and the susceptibility to strong gossip.
Akutagawa’s affinity for such themes brings out his real tumultuous relation with mental anxiety and clinical neurotic dwelling of his personal life. (He committed suicide at the age of 35 due to an overdose of Vernol). Furthermore, his description of kimonos/garbs adorning his protagonists illustrates a high usage of the color blue which in Japanese culture is the color of naivety,immaturity and youth.